Afghanistan and Film: Internationalist Cinema
The act of making a film is an inherently cultural process, creating a specific, subjective and crafted representation of the people and events recorded. Yet an impression of "authenticity" remains a primary goal of filmmaking, and especially documentary filmmaking. To what extent does the filmmaker's personal and cultural familiarity with the subject affect her ability to make a politically meaningful film? In the age of universal human rights and the new internationalist cinema, does a filmmaker's identity or even her 'cultural difference' make a difference?

The example of post 9-11 Afghanistan and its re-emergent film industry offers an instructive case study of these questions. Under the Taliban, filmmaking - and indeed any cultural representation - was criminalized, and all existing footage destroyed or hidden. The links that follow trace the extraordinary re-emergence of Afghan film after the fall of the Taliban, as well as the rise of 'outsider' films about Afghanistan that focus on its post 9-11 global political significance, As the links show, new Afghan cinema provides an interesting case study of the reinforcing mutual influence between 'outsider' films about Afghanistan and the country's own emerging fledgeling domestic film industry. But in multiple ways, post 9-11 Afghan film also conflates notions of global and local, internationalist and nationalist cinema, outsider and insider perspectives --- in ways that disrupt conventional views of film imperialism, colonization and even media globalization. Film in - and of - Afghanistan offers an extraordinary lens through which to explore ideas of new internationalism, insider views, and even cultural subjectivity in film production.

Articles
Challenges and Promises of Afghan Cinema

Future of Afghan Film

Film Restoration

Films on Afghanistan

Makhmalbaf Film House

Osama (dir. Siddiq Barmak)
See a review

Massoud, The Afghan (dir. Christophe de Ponfilly)

In This World (dir. Michael Winterbottom)

AID Afghanistan (dir. Juliana Penaranda)

Afghan Massacre: The Convoy of Death (dir. Jamie Doran)

Dateline Afghanistan: Reporting the Forgotten War (dir. Bill Gentile)

Afghan Stories (dir. Taran Davies)
To order

If I stand Up (dir. Shekeba Adil)

Baran (dir. Majid Majidi)

Search For Freedom (dir. Munizae Jahangir)

Afghanistan Unveiled (dir. Brigitte Brault)

Afghanistan: Lost Truth (dir. Yassamin Maleknasr)

Jung (War): In the Land of the Mujaheddin (dir. Fabrizio Lazzaretti, Alberto Vendamiatti)

Afghanistan Year 1380 (dir. Fabrizio Lazzaretti, Alberto Vendamiatti)

Return to Kandahar (dir. Paul Jay and Nelofer Pazira)

The Giant Buddhas (dir. Christian Frei)

Other Resources
Festival: Afghan Art and Film Festival

Photography: Williams Afghan Media Project

Photography: Moving Walls 7

Photography: Through Afghan Eyes

Afghanistan and the US